TV
In media, regional identity is the location in
which the programme or character is set/ from. In the Doc Martin clip we see
the fictional seaside village which is set in Cornwall. This part of England
upholds the stereotype that the people live in a rural area and are often
farmers for a living. The representation of the regional identities of the
characters uses and goes against conventional ideas of this area.
In the first part of the clip there is a low
angle shot of the sink, it is unusual to get a shot of below the knee this
shows the darkness around the room and we also see the pencil behind the
plumber’s ear which is typical for a plumber to have or any male with a heavy
duty job.
The camera then follows the action where on the
one hand Doc Martin is shown to have authority because he is towering over the
two plumbers and looking down on them and the distance between Doc Martin and
the plumbers makes the plumbers seem a lot more familiar and friendly, on the
other hand because Doc Martin is very formally dressed, and his dialogue is
formal, he is well spoken in standard English with no accent indicating he is
high class, this contrasts against the plumbers dialogue which is very informal
and chavy indicating he isn't very intelligent, particularly the fatter plumber,
this indicating a lazy lifestyle.
When the fatter plumber breaks the sink the
audience knows for certain that he is not very good at his job and possibly
lazy because he just sits there and watches the other boy fix it. Doc Martin's
dialogue then becomes stuttered and panicky indicating that he is losing it,
this is the first example we see of Doc Martin to be short tempered, showing he
may be from an area which is a lot more calm and organised. The scene then
gradually becomes more chaotic by the phone ringing and the new character,
indicating to the audience that the characters are getting stressed; this also
makes the audience feel stressed as there is a lot more to focus on.
The lack of non-diegetic sound connotes
characters are not equal from the start also it makes the scene more tense,
there is only non-diegetic sound when the scene becomes more chaotic. When the
fatter man is talking and when Doc Martin starts to lose it, it starts again.
Lack of non-diegetic sound makes the audience focus on his dialogue.
The old woman is firstly introduced when the
camera is tracking Doc Martin when he's walking the dog up the street, the
music in the background seems unusual and childlike reflecting the way he is
being immature and using some trousers as a dog lead. The old woman then
watches as he walks away until there is a swipe and a bell noise going into the
next scene. After this a close up of her looking at Doc Martin approaching
connotes her curiosity showing the audience that he is not from this area.
In
the scene where Maxxie tells MR Khan he is gay, representation of ethnicity is
shown. The scene begins with Maxxie, a white, gay male, sitting outside his
best friend Anwar’s birthday party. Maxxie is refusing to enter the party
because he feels he won’t be accepted because Anwar’s family are Muslims and
homosexuality goes against their religion. Anwar is the only one who knows that
Maxxie is gay and he hasn’t told his father, a strict, Muslim who also has a
very high opinion of Maxxie, because he is worried that he won’t allow them to
be friends.
Anwar
phones Maxxie asking where he is, telling him to come inside. Maxxie is just
about to leave when Anwar walks outside to try and persuade him into joining
the party. Mr Kharral, wearing traditional Asian clothing, follows and spots
Maxxie. Pleased to see him, he gives Maxxie a welcoming hug, explaining that
his wife has made a lamb bhuna because he knows how much Maxxie likes it. Anwar
tries to interrupt him by revealing that Maxxie is gay, but he doesn’t pay
attention. Maxxie finally cuts him off by simply saying that he is gay and
always has been. There is a pause, where Mr Kharral stops smiling for a moment
leading the audience to believe he is going to be angry. But then his friendly nature returns as he
explains that even though he doesn't understand or agree with homosexuality, he
doesn’t mind because he believes that one day his god will help him understand
it. He then once again invites Maxxie to join the party.
In
the UK, where this TV drama is made white British people tend to be the
dominant group in society. I do not think this is the case for this clip as the
white British person is feeling worried about displaying his true self to the
Muslim families due to the fear of being rejected. This means that in this clip
the white British male (Maxxie) is part of the subordinate character group and
the Muslim family is the dominant group as they have the power in this clip.
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Absolutley brilliant blog Josh, this is definatley A* material
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